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* All prices are incuding VAT and Insurance
Includes: 16mm F/2.8, 20mm F/2.8, 28mm F/2.0, 35mm F/1.4, 50mm F/1.2, 85mm F/1.4, 105mm F/1.8
(EF hard mount / Focus gears / declicked / 80mm front)
£100 / day
£300 / week
£100 / day
£300 / week
The Cooke Varotal 20-100mm zoom lens was designed by Gordon H. Cook. It has PL mount. Introduced in 1971, this zoom lens quickly became an industry standard. His characteristic “Cooke look” is still admired by many cinematographers for its unique warmth and softness. The optics use an anti-reflective coating that increases the definition of shadows, the transmission of light and reduces the phantom effect and burning
£150 / day
£450 / week
Sony SELP28135G (SEL-28135G) 35mm Full Frame Professional, E-Mount 28-135mm Zoom Lens for Cameras Such as the A7S or PXW-FS7. The SELP28135G is a powered zoom lens that has been created to satisfy professional optical and operational requirements for high-quality movie imagery, including 4K, when matched with a 35mm full frame format camera such as the ?7S or a Super 35 format camcorder such as the PXW-FS7*.
£40 / day
£120 / week
Design and technology without compromise result in a constant F2.8 zoom lens that can fully exploit the potential of today’s and future high-resolution camera housing. This unrivalled standard zoom lens covers a focal length range of 24mm to 70mm and is the ideal choice when you need the highest quality for portraits, landscapes, snapshots and more
£35 / day
£105 / week
Has proven very popular with professional and advanced amateur photographers since it was introduced in 1995. However, the increasing use of digital cameras – most having sensors smaller than a 35mm film frame – has increased the demand for a high-performance standard zoom lens with a wider wide-angle setting
£25 / day
£75 / week
Featuring the latest advances in optical design, the EF 24-70mm f/2.8L II USM brings together three aspherical elements to provide the highest possible image quality in a lens of this focal length. Significant reduction in chromatic aberration and reduced colour blur means less time in post production with an edge-to-edge sharpness usually only found in prime lenses.
£30 / day
£90 / week
Was originally designed to complement Canon’s first enthusiast full-frame camera, the EOS 5D, and combines a useful standard zoom range, a constant maximum aperture, good optical quality and effective image stabilization.
£25 / day
£75 / week
The EF 70-200mm f/2.8L IS III USM delivers outstanding performance with a constant f/2.8 maximum aperture for fast shutter speeds and beautiful background blur, and Canon’s Air Sphere Coating (ASC), which combines with enhanced Super Spectra Coatings to significantly reduce lens flare and ghosting.
£35 / day
£105 / week
The EF 70-200mm f/2.8L IS II USM is a workhorse telephoto zoom lens designed for professional use. It has a rugged durable design, a four-stop Image Stabilizer and specialised lens elements.
£30 / day
£90 / week
£30 / day
£90 / week
If you’ve ever worried that a fisheye lens will spend more time in your lens bag than on your camera, just look at the stunning photos taken by the AF Fisheye-NIKKOR 16mm f/2.8D. Its unique yet versatile 16mm perspective and supreme optical performance brings a new angle to landscapes, architecture, interiors—even close-ups.
£25 / day
£75 / week